Mykola Maksymov. Impact of Person’s Social Adaptability on Perception of Music.

(2017) Science and education, 9, 48-52. Odessa.


DOI:

Mykola Maksymov,
PhD (Candidate of Psychological Sciences), associate professor,
Department of Developmental Psychology,
Taras Shevchenko National University of Kyiv,
2-a, Akademika Hlushkova Str., Kyiv, Ukraine


IMPACT OF PERSON’S SOCIAL ADAPTABILITY ON PERCEPTION OF MUSIC


SUMMARY:

The paper aims to study the correlation between the peculiarities of the perception of music and the degree of social adaptability of an individual. In order to examine the peculiarities of music perception, stimulating material was developed – music fragments that contained some psychological content. In order to determine the degree of social adaptation of the respondents the following methods were applied: the method of determining the level of subjective control, the method of narrative, and Rosenzweig Picture Frustration Study. For identifying the level of social adaptability, the methods of document analysis and expert evaluation were applied. In order to determine the psychological content of musical fragments, the method of experts, focus groups were used. It has been found that there is a correlation between the psychological properties of people with a low level of social adaptation and the peculiarities of their perception of music: the destructive character of music symbolizing aggression corresponds to their emotional mood and the general background of worldview. The music which symbolizes indifference, the refusal of purposeful activity, passivity correlates with the poorly developed skills of productive interaction and overcoming obstacles, low level of subjectivity, reflection.


KEYWORDS:

socialization, perception of music, social adaptability, subjectivity, reflection, music discourse.


FULL TEXT:

 


REFERENCES:

1. Kleiberh, Yu. A. (2001). Psikhologiya deviantnogo povedeniya [Psychology of deviant behavior]. Moscow: TTs Sfera, pry uchastyy «Yurait-M» [in Russian].
2. Kostiuk, O. H. (1965). Spryimannia muzyky i khudozhnia kultura slukhacha [Perception of music and artistic culture of a student]. Kyiv: Naukova dumka [in Ukrainian].
3. Labunskaia, V. A. (1986). Neverbalnoe povedenie [Non-verbal behavior]. Izdatelstvo Rostovskogo universiteta [in Russian].
4. Nazaikynskyi, Ye. V. (1972). O psikhologii muzykalnogo vospriyatiya [On psychology of music perception]. Moscow: Muzyka [in Russian].
5. Petrushyn, V. Y. (2008). Muzykalnaia psykholohyia [Music psychology]. Izd-vo: Akademicheskiy proekt [in Russian].
6. Ponomarenko, Ya. H. (2005). Muzychne vyslovliuvannia yak predmet spryiniattia [Music statement as a subject of perception]. Problemy zahalnoi ta pedahohichnoi psykholohii. Zb. naukovykh prats Instytutu psykholohii im.H.S.Kostiuka APN Ukrainy – Issues of general and pedagogical psychology: collection of scientific works, 2, 173-179. S. D. Maksymenko (Ed.). Kyiv [in Ukrainian].
7. Subbota, O. V. (2001). Osoblyvosti motornointonatsiinoi pryrody muzyky [Features of motor and tone nature of music]. Muzychne mystetstvo i kultura – Music art and culture, 2, 141-151. O. V. Sokol (Ed.). Odesa: Astroprynt [in Ukrainian].
8. Donald A. Hodges (Ed). (1996). Handbook of music psychology. 2nd ed. MMB music, Missouri, USA [in English].
9. Sloboda, J. A. & O`Neill, S.A. (2001). Emotions in everyday listening to music. In P.N. Juslin & J. A. Sloboda (Eds.). Music and Emotion: Theory and Research (pp. 415-430). Oxford: Oxford University Press [in English].

         

       
   
   
         

 

©2024 Університет Ушинського. Всі права захищені, мабуть.