Anastasiia Sannikova. Performer’s Onstage Experiences: Psychological Sketch.
(2016) Science and education, 9, 129-134. Odessa.
Anastasiia Sannikova,
PhD (Candidate of Psychological Sciences), lecturer, Department of Solo Singing,
Odessa National A. V.Nezhdanova Academy of Music,
63, Novoselskoho Str., Odesa, Ukraine
PERFORMER’S ONSTAGE EXPERIENCES: PSYCHOLOGICAL SKETCH
SUMMARY:
The paper presents the results of reviewing scholars and distinguished performers’ points of view concerning onstage
experiences as one of the kinds of psychological barriers that singers, musicians, actors, etc. face in their creative work. It has been found that musician or actor’s performance anxiety is considered, as a rule, in terms of its destructive influence on emotional and artistic level of performing a musical work, which is one the significant features of performing onstage. Performance discomfort may cause performer’s barriers. In this work, performer’s barriers are understood as negative somatic, emotional, intellectual and behavioural demonstrations expressed in inhibition, resistance, limitations as well as subjectively insurmountable barriers that block performer’s activity, interfere with achieving success, and can be overcome due to targeted psychological work. This phenomenon demonstrates the difference between the aims and results of the performance objectively; as a subjective phenomenon, performer’s barriers are reflected in onstage emotional experiences of different kinds; as a psychological phenomenon, they exist only in performer’s onstage activity. The specificity of mental states (including performer’s barriers) experienced by actors, singers, musicians onstage is determined by various factors, which can be divided into external and internal ones. External factors imply that performer’s barriers were caused by the very performance onstage and some external circumstances (rehearsal, concert, stage play, exam, contest, etc.). Internal factors characterise barriers caused by demonstrations of individually psychological personal qualities: emotional states, dissatisfaction, disappointment, apathy, aggression, inner agitation, anxiety, fear and mental conflicts, etc. The assessment of “independent” external circumstances, “objective” factors of performer’s barriers as well as the extent to which they are experienced depend on performer’s personal view of the situation onstage.
KEYWORDS:
onstage experiences, performer’s barrier, discomfort, destructiveness, performer’s personality, optimal readiness for a concert, onstage comfort.
FULL TEXT:
REFERENCES:
1. Belan,E.A. (2006). Fenomen stsenicheskogo volneniya i sovladanie s nim v situatsii muzykalnogo ispolnitelstva [Phenomenon of scenic excitement and coping with it in a situation of musical performance]. Extended abstract of candidate’s thesis. Krasnodar [in Russian].
2. Bogoyavlenskaya, D.B. (2002). Psikhologiya tvorcheskikh sposobnostey [Psychology of creativity]. Moscow: Academia [in Russian].
3. Reber, A. (Ed.). (2000). Bolshoy tolkovyy psikhologicheskiy slovar [Large explanatory psychological dictionary]. (Vols. 1). Moscow: Veche, AST [in Russian].
4. Bochkarev, L.L. (2008). Psikhologiya muzykalnoy deyatelnosti [Psychology of musical activities]. Moscow: Izdatelskiy dom «Klassika–ХХІ» [in Russian].
5. Vasilyuk, F.Ye. (1984). Psikhologiya perezhivaniya (analiz preodoleniya kriticheskikh situatsiy) [Psychology of emotional experience (analysis of overcoming critical situations)]. Moscow: Izdatelstvo Moskovskogo universiteta [in Russian].
6. Vilson,Glenn (2001). Psikhologiya artisticheskoy deyatelnosti. Talanty i poklonniki [Psychology of artistic activities. Talents and admirers]. (A.I. Bleyz, Trans). Moscow: Kogitotsentr [in Russian].
7. Ekonomova, E.K. (2003). Orhanizatsiia spivtvorchosti kontsertmeistera i spivaka [Organization of accompanist and singer’ cocreation]. Odesa: PDPU im. K.D.Ushynskoho [in Ukrainian].
8. Ilin, Ye.P. (2001). Emotsii i chuvstva [Emotions and feelings].St. Petersburg: Piter [in Russian].
9. Kogan, G.M. (1963). Rabota pianista [Jobof a pianist].Moscow: Gos. muz. izdat. [in Russian].
10. Maksimenko, S.D. (2006). Genezis sushchestvovaniya lichnosti [Genesis of personality’s existence]. Kyiv: Izdatelstvo OOO «KMM» [in Russian].
11. Petrushin,V.I. (2006). Muzykalnaya psikhologiya [Music psychology]. Moscow: Akademicheskiy proekt [in Russian].
12. Gabdreeva, G.Sh., & Prokhorov, A.O. (Eds.). (2004). Praktikum po psikhologii sostoyaniy [Psychology states practical course].
St. Petersburg: Rech [in Russian].
13. Sannikova, O.P.,& Sannikova,A.O. (2014). Stsenichni bariery: dyferentsialno-psykholohichnyi pidkhid [Scenic barriers: differential
psychological approach]. Odesa: VMV[in Ukrainian].
14. Stanislavskiy, K.S. (1985). Rabota aktera nad soboy. Ch.1. Rabota nad soboy v tvorcheskom protsesse perezhivaniya. Dnevnik
uchenika [Actor’s self-improvement. Part 1. Self-improvement in the creative process of emotional experience. Student’s diary]. Moscow: Iskusstvo [in Russian].
15. Shapar, V.B. (2005). Suchasnyi tlumachnyi psykholohichnyi slovnyk [Modern psychological explanatory dictionary]. Kharkiv: Prapor [in Ukrainian].