Natalia Tolstova. Implementation of Pedagogical Conditions for Forming Future Music Teachers’ Readiness for Professional Self-Improvement in the Process of Teaching Singing.

(2016) Science and education, 6, 32. Odessa.

Natalia Tolstova,

lecturer, Department of Music and Vocal Theory,

South Ukrainian National Pedagogical University named after K. D. Ushynsky,

4, Fontanska doroha Str., Odesa, Ukraine


IMPLEMENTATION OF PEDAGOGICAL CONDITIONS FOR FORMING FUTURE MUSIC TEACHERS’
READINESS FOR PROFESSIONAL SELF-IMPROVEMENT IN THE PROCESS OF TEACHING SINGING 


SUMMARY:

The paper is focused on the essence of future music teachers’ readiness for professional self-improvement; pedagogical conditions facilitating its successful formation have been substantiated; the results of pedagogical experiment aimed at their implementation into voice-training process at the faculty of music and choreographic education of SUNPU named after K. D. Ushynsky have been characterized. Consequently, the aim of the paper is to substantiate the pedagogical conditions of forming students’ readiness for professional self-improvement in voice-training process and to analyze the results obtained. The author characterizes components of professional competence, in which vocal training is of great importance: educating and pedagogical that provides instilling school students’ perception of music; methodical and forming targeted at the development of school students’ ability for music, teaching singing and other forms of collective and creative artistic performance; educational and pedagogical that reflects teachers’ ability to enrich school students’ music consciousness and to raise the level of their music literacy. Also, the author provides substantiation of pedagogical conditions for forming students’ readiness for professional self-improvement in voice-training process, they are: the formation of future specialist’s value and motivational sphere; improvement of his/her subjective personality traits that are important for professional activity, independent self-improvement and enrichment of knowledge, abilities and skills throughout the whole career; the creation of comfortable psychological climate at vocal classes; improvement of organization and methodological, and resource support necessary for forming students’ ability for selfeducation, self-training and self-development in the process of vocal and learning activity. The effectiveness of the above mentioned pedagogical conditions has been proven by test data and results of its processing using mathematical statistics. The issues of forming reflexive and estimative component of self-guided vocal and learning activity, improvement of methods of implementing intersubject communications (targeted at forming integrated methods of selfguided work of future music teachers in terms of self-study, self-development and self-education into the educational process) should be studied further.


KEYWORDS:

music teacher, voice-training, readiness for professional self-improvement, pedagogical conditions.


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REFERENCES:

1. Vainilenko, T. V. (2004). Samovdoskonalennia osobystosti yak naukova problema [Personality’s selfimprovement as a scientific problem]. Visnyk: zbirnyk naukovykh statei NPU imeni M.P.Drahomanova – Bulletin: collection of scientific papers issued by National Pedagogical Dragomanov University, 5, 50-52. P. V. Dmytrenko, O. L. Makarenko, O. P. Symonenko. (Eds.). Kyiv: NPU [in Ukrainian].

2. Zheleiko, I. Yu. (2004). Samovdoskonalennia yak providna umova profesiinoho rostu vchyteliv muzyky [Self-improvement as a key element of music teachers’ career advancement]. Naukovyi visnyk Izmailskoho derzhavnoho humanitarnoho universytetu: Pedahohichni nauky: Zbirnyk naukovykh prats – Research bulletin of Izmail State University of Humanities: Pedagogical sciences: Collection of scientific papers, 17, 25-28. Izmail [in Ukrainian].

3. Krylova, N. B. (2000). Kulturologiya obrazovaniya [Culturology of education]. Moscow: Narodnoe obrazovanie [in Russian].

4. Shestakova, T. V. (2006). Pedahohichni umovy ta orhanizatsiino-metodychna systema formuvannia hotovnosti maibutnikh pedahohiv do profesiinoho samovdoskonalennia [Pedagogical conditions, organization and methodical system of forming future teachers’ readiness for professional self-improvement]. Suchasni informatsiini tekhnolohii ta innovatsiini metodyky v pidhotovtsi fakhivtsiv: metodolohiia, teoriia, dosvid, problemy – Contemporary information technologies and innovative methods of training: methodology, theory, experience and problems, 12, 444-453. Kyiv-Vinnytsia: DOM «Vinnytsia» [in Ukrainian].

Olha Bykova. Development of Music and Rhythmic Abilities as a Part of Individual Creative Abilities of Future Choreography Teachers.

(2016) Science and education, 6, 40. Odessa.

Olha Bykova,

post-graduate student,

Department of Choreography and Artistic Culture,

Pavlo Tychyna Uman State Pedagogical University, 28, Sadova Str., Uman, Ukraine


DEVELOPMENT OF MUSIC AND RHYTHMIC ABILITIES AS A PART OF

INDIVIDUAL CREATIVE ABILITIES OF FUTURE CHOREOGRAPHY TEACHERS 


SUMMARY:

Many scientists consider music and rhythmic abilities to be an individual psychological characteristic of a person responsible for the successful performance of music activities. Features, which are formed during the development of these abilities, have general and personal character that can affect any kind of further sphere of professional activities. We consider that music and rhythmic abilities of future Choreography teachers are formed and developed only in the process of active creative work, if they have exploratory thinking and there is no imitation and they do not follow any patterns in their activities. Having reviewed famous psychologists’ and pedagogues’ scientific works we present our own definition of music and rhythmic abilities of future Choreography teachers, which is individual-psychological personal characteristics determining the successful performance of music and rhythmic activities, expressed in ability to show emotional imagery of music with the help of movements. We have also defined the following three basic components in the structure of the phenomenon, which form the heart of music and rhythmic abilities of future Choreography teachers: music and rhythmic memory, sense of rhythm, sense and music perception. We have also carefully examined the system of music and rhythmic education of Emil Jaques-Dalcroze as a universal system in the sphere of general education of a harmoniously developed personality. The meaning of the course of «Eurythmics and musical movement» in professional training of university students was also reviewed in the article. We discovered that the principle of integral, active and emotional perception of music and close correlation between music and movement make the basis of the subject «Eurythmics and musical movement». Eurhythmics is the basis and momentum for students’ physical form and their future lifestyle. It contributes to the harmonious development of a personality and the achievement of moral and physical perfection. It should be noted that individual creative abilities of future Choreography teachers are revealed in the interest, drive and emotional attitude to creative work, in the quality of knowledge, the level of the development of logic and creative thinking, imagination, independence and persistence in creative search. During the development of individual creative abilities of future Choreography teachers in the process of professional training the actualization of the above mentioned abilities is taking place, which determines the opportunity of creative selfrealization and self-development. In the process of the development of creative abilities a person gets the chance of selfrealization which is important in the formation of professional’s personality


KEYWORDS:

music and rhythmic abilities, eurythmics, music art, dance, individual creative abilities, choreography, eurythmics and musical movement.


FULL TEXT:

 


REFERENCES:

1. Nikolai, G. Yu. & Klyuchko, V. V. (2013). Rytmika [Rhythm]. Sumy`: Vyd-vo SumDPU imeni A. Makarenka [in Ukrainian].

2. Rapatsevich, E. S. (2001). Sovremennyy slovar po pedagogike [Modern dictionary on pedagogics]. Minsk: Sovremennoe slovo [in Russian].
3. Teplov, B. M. (1985). Izbrannye trudy: Vol. 2 [Selected works]. Moscow: Pedagogika [in Russian].
4. Teplov, B. M. (1947). Psikhologiya muzykalnykh sposobnostey [The psychology of musical abilities]. Moscow [in Russian].

5. Shadrikov, V. D. (1994). Psikhologiya deyatelnosti i sposobnosti cheloveka [Psychology of activity and abilities of a person]. 2nd ed. rev. Moscow: Logos [in Russian].

Lin Huaqin. Essence and Component Structure of Piano Performance Culture of Future Music Teachers.

(2016) Science and education, 6, 45. Odessa.

Lin Huaqin,
post-graduate student, Department of Music Arts and Choreography,
South Ukrainian National Pedagogical University named after K. D. Ushynsky,
4, Fontanska Doroha Str., Odesa, Ukraine


ESSENCE AND COMPONENT STRUCTURE OF PIANO PERFORMANCE
CULTURE OF FUTURE MUSIC TEACHERS


SUMMARY:

The article deals with the issue of forming piano and performance culture of future Music teachers. The theoretical review of the scientific literature on the topic has been carried out. Special attention is paid to the bonds between culture and music-instrumental, particularly piano training of students studying at higher artistic pedagogical institutions. It is important that culture is associated with music and pedagogical activities and is a characteristic of its quality. That is why the understanding of music culture as a special way of the organization of vocational training of future Musicteachers is a shaping methodical means and the basis for the studying of their piano performance culture. The mature state of future Music teachers’ performing culture means the achievement of the high level of the performance skills, music and aesthetic, professional and creative, special and spiritual development of their personality. The piano performance culture is considered as an integral personal quality, which is characterized by the mature state of general and special culture knowledge in the area of piano performance, as well as piano performance skills of the successful realization of artistic and pedagogical activity. It has been concluded that the structure of future Music teachers’ piano performance culture consists of the following components: axiological, cognitive and linguistic, artistic and mental, activity and practical. The axiological component defines the conceptual essence of the piano performance activity and is characterized by its coherence with the system of special and personal values. Cognitive and linguistic component can be described by the maturity of professional and special music and interpretation knowledge acquired in the process of studying, understanding the conceptual and linguistic structure of piano compositions. Artistic and mental component is characterized by the individual and worldview potential of a student, and is manifested in professional personal orientation, the creation and understanding of the prospects of piano performance culture formation. Activity and practical component reflects the mechanisms of the acquisition of the piano performance culture 


KEYWORDS:

music culture, performance culture, piano performance culture, future Music teacher, axiological component, cognitive and linguistic component, artistic and mental component, activity and practical component.


FULL TEXT:

 


REFERENCES:

1. Abdullin, E. B., Nikolaeva, E. V. (2004). Teoriya muzykalnogo obrazovaniya [Theory of music education]. Moscow: Akademiya [in Russian].
2. Andreiko, O. I. (2014). Teoriia ta metodyka formuvannia vykonavskoi kultury skrypalia u vyshchykh mystetskykh navchalnykh zakladakh [Theory and methods of forming stage culture of a violinist at higher educational institutions]. Extended abstract of Candidate’s thesis. Kyiv: NPU imeni M. P. Drahomanova [in Ukrainian].

3. Huseinova, L. V. (2005). Formuvannia hotovnosti maibutnikh uchyteliv muzyky do instrumentalno-vykonavskoi diialnosti [Preparing future Music teachers for instrumental and vocal activities]. Extended abstract of Candidate’s thesis. Kyiv: NPU imeni M. P. Drahomanova [in Ukrainian].

4. Zghurska, N. M. (2001). Formuvannia muzychno-vykonavskoi kultury maibutnoho vchytelia [Forming stage culture of a future teacher]. Extended abstract of Candidate’s thesis. Kyiv: Nats. ped. un-t imeni M. P. Drahomanova [in Ukrainian].
5. Mykhaliuk, A. M. (2014). Formuvannia vykonavskoi kultury maibutnikh uchyteliv muzyky zasobamy ukrainskoho fortepiannoho mystetstva [Forming stage culture of future Music teachers by means of Ukrainian piano art]. Extended abstract of Candidate’s thesis. Kyiv: NPU imeni M. P. Drahomanova [in Ukrainian].

6. Rakhimbaeva, I. E. (2003). Professionalnaya pedagogicheskaya kultura uchitelya muzyki: problemy i perspektivy [Professional pedagogical culture of a Music teacher: problems and prospects]. Tendentsii razvitiya regionalnykh sistem obshchego i professionalnogo muzykalnogo obrazovaniya – Tendencies of the development of regional systems of general and professional music education, 2, 84-88. Saransk [in Russian].
7. Rebrova, O. Ye. (2009). Doslidzhennia proiavu khudozhno-mentalnoho dosvidu maibutnikh uchyteliv mystetskykh dystsyplin v umovakh muzychnovykonavskoi pidhotovky [Studying the manifestation of artistic and mental experience of future Art teachers under the conditions of music training]. Naukovyi chasopys Natsionalnoho pedahohichnoho universytetu imeni M. P. Drahomanova – Scientific journal of Dragomanov national pedagogical university, 7 (12), 62-68. Kyiv: Vyd-vo NPU imeni M. P. Drahomanova [in Ukrainian].
8. Rudnytskaia, O. (2006). Psykholohopedahohichni problemy zahalnoi ta mystetskoi osvity [Psycho-pedagogical issues of general and artistic educational]. Mystetstvo u rozvytku osobystosti: monohrafiia – Art in personality development: monograph. Chernivtsi : Zelena Bukovyna [in Ukrainian].
9. Telcharova, R. A. (1992). Muzykalnaya kultura lichnosti kak predmet filosofskogo analiza [Music culture of a personality as a subject of philosophic analysis]. Extended abstract of Candidate’s thesis. Moscow [in Russian].
10. Fayzrakhmanova, L. M. (1998). Formirovanie ispolnitelskoy kultury shkolnogo uchitelya muzyki v kurse «Voprosy istorii fortepiannogo iskusstva i ispolnitelstva» [Forming performance culture of school Music teacher in the course “Issues of the history of piano arts and performing”]. Muzykalnoe obrazovanie : problemy metodologii, natsionalno-regionalnyy podkhod, pedagogicheskie tekhnologii – Music education: issues of methods, national and regional approach, pedagogical technologies, 2, 100-103. Saransk [in Russian].

 

Sun Peng Fei. Artistic and semiotic competence of future music teachers as an issue of music pedagogy.

(2016) Science and education, 6, 29. Odessa.

Sun Peng Fei,

post-graduate student, Department of Music Art and Choreography,
South Ukrainian National Pedagogical University named after K. D. Ushynsky,

4, Fontanska doroha Str., Odesa, Ukraine 


ARTISTIC AND SEMIOTIC COMPETENCE OF FUTURE
MUSIC TEACHERS AS AN ISSUE OF MUSIC PEDAGOGY 


SUMMARY:

The paper is focused on the issue of forming artistic and semiotic competence of a music teacher in the context of music pedagogy. The main lines of research on this issue in contemporary music pedagogy have been determined. Specific qualities of music teacher’s semiotic competence have been considered.


KEYWORDS:

 sign, symbol, semiotic competence, musical language, music perception, pedagogical process


FULL TEXT:

 


REFERENCES:

1. Bondarev, A. A. (2002). Pedagogicheskaya interpretatsiya muzykalnogo obraza (teoreticheskie i metodicheskie aspekty izucheniya muzyki S. V. Rachmaninova) [Pedagogical interpretation of a musical image (theoretical and methodological aspects of studying music)]. Extended abstract of candidate’s thesis. Moscow [in Russian].

2. Goncharov, S. A., Goncharova, О. М., & Koroleva, N. N. (2011). Semioticheskaya kompetentnost v obrazovanii i sociume [Semiotic competence in education and society]. Universum: Vestnik Gertsenovskogo universiteta – Universum: Bulletin of Gertsen University, 8, 75-76 [in Russian].

3. Davidova, S. A. (2011). Predmet «Muzikalnoe soderzhanie» v aspekte germenevtiki (nachalnaya schkola) [The subject “Music content” in hermeneutical aspect (primary school)]. Extended abstract of candidate’s thesis. St. Petersburg [in Russian].

4. Kurolenko, Ye. М. (n.d.). Semiotika khudozhestvenno-pedagogicheskoy deyatelnosti [Semiotics of artistic and pedagogical activities]. Retrieved from: http://www.emissia.org/offline/2012/1738.htm [in Russian].

5. Yartsev, V. N. (Eds.). (1990). Lingvisticheskiy entsiklopedicheskiy slovar [Linguistic encyclopedic dictionary]. Мoscow: Sovetskaya entsiklopediya [in Russian].

6. Malkin, S. Yu. (2015). Idei germenevtiki v muzykalno-pedagogicheskom obrazovanii [Hermeneutic ideas in musical and pedagogical education]. Sovremennie problemy). Do pytannia vdoskonalennia vitchyznianoi systemy pidhotovky fakhivtsiv u sferi zviazkiv z hromadskistiu [On the issue of improving the national system of training in public relations]. Derzhava ta rehiony. Seriia: Sotsialni komunikatsii – The state and the regions, 4, 142-146 [in Ukrainian]. my i zviazkiv z hromadskistiu v konteksti Bolonskoho protsesu [New standards in training specialists in advertising and public relations in the context of the Bologna Process]. Neperervna profesiina osvita: teoriia i praktyka – Lifelong professional education: theory and practice, 1-2, 78-82. [in Ukrainian].nauki i obrazovaniya – Contemporary problems of science and education, 5. Retrieved from: http://scienceeducation.ru/ru/article/view?id=21912 [in Russian].

7. Mamardashvili, М. K., & Pyatigorskiy, A. M. (1999). Simvol i soznanie [Symbol and consciousness]. Мoscow: Yazyki russkoy kultury [in Russian]

 8. Manasova, G. N. (2007). Pedagogicheskiy potentsial simvolov v istorii i sovremennoy otechestvennoy praktike obrazovatelnogo protsessa [Pedagogical capacity of symbols in historically and in modern education]. Extended abstract of candidate’s thesis. Vladimir [in Russian].

9. Ship, S. V. (2004). О semioticheskikh osnovaniyakh muzykalno-pedagogicheskoy germenevtiki [About semiotic fundamentals of musical and pedagogical hermeneutics]. Nauka i osvita. Naukovo-praktychnyi zhurnal Pivdennoho naukovoho tsentru АPN Ukrainy – Science and education. Academic journal of the Southern Centre for Research of NAES of Ukraine, 4-5, 210-214. Odesa [in Russian].

10. Ship, S. (2001). Muzykalnaya rech i yazyk muzyki [Musical speech and language of music]. Odesa: Izdatelstvo Odesskoy gosudarstvennoy konservatorii im. А. V. Nezhdanovoy [in Russian].

 

Konstiantyn Buhaievskyi. Anatomical and Morphological Features of Pelvis in the Somatotype Classification by J. Tanner of the Female Students of Special Medical Group.

(2016) Science and education, 6, 56. Odessa.

Konstiantyn Buhaievskyi,

PhD (Candidate of Medical Sciences), associate professor,

Department of Physical Rehabilitation and Health,
Classical Private University,
70-b, Zhukovsky Str., Zaporizhzhia, Ukraine


ANATOMICAL AND MORPHOLOGICAL FEATURES OF PELVIS IN THE SOMATOTYPE CLASSI-
FICATION BY J. TANNER OF THE FEMALE STUDENTS OF SPECIAL MEDICAL GROUP


SUMMARY:

The article presents the results of the study aimed at identifying the anatomical and morphological features of the structure and shape of pelvis in first year female students of special medical group of the medical University. The relevance of this research is explained by the increasing of a number of girls and young women with various disorders of the structure and function of reproductive organs, caused by the negative influence of various exogenous and endogenous factors. This age is the period of the formation of their body, endocrine, reproductive and skeletal systems, and in particular the pelvis. The examination of individual anatomical and morphological changes of pelvis bone formation is a significant contribution to the prevention of reproductive losses and the means for obstetric injuries prevention. The study is aimed at determining the characteristics of size, structure and current changes of pelvis among the above mentioned group of girls, as well as the number of anthropometric and morphological index values in the sex somatotypes according to the classification by J. Tanner. There have been identified the following disorders and pathological changes: in particular, 58,46% of girls do not correspond to the criteria of the gynecoid somatotype according to the results of the survey. The analysis of the obtained values of pelvis index has shown that they are below the acceptable normative parameters, especially for students with gynecomorphoid somatotype and correspond to the values of a narrow pelvis. There have been determined the indices of anatomically narrow pelvis in all three groups of somatotypes (74,62%), mainly with the indices of the I (36,92%) and II (20,77%) degrees of narrowing. Among the variants of pathological forms of pelvis the dominant ones are the transverse narrow pelvis – 62,31% and "erased" form of pelvis – 60,77%. The process of pelvis bone maturity of 98,15% female students is completed and meets their age criteria. Data obtained by means of anthropometry, pelvimetry and determination of special values of morphological indices indicating the available anatomical, morphological and functional changes in the pelvic bone in the form of increasing the proportion of narrow pelves with I-III degrees of narrowing.


KEYWORDS:

somatotype, pelvis, anthropometry, pellet, morphological indices, students.


FULL TEXT:

 


REFERENCES:

1. Afanasievskaya, Yu.S. & Kalmin O.V., Samotuga A.V. (2010) Otsenka osobennostey antropometricheskikh parametrov i raspredeleniya somatotipov lits yunosheskogo vozrasta g. Krasnodara i Krasnodarskogo kraya [Assessment of features of anthropometric parameters and distribution of somatotypes of young people of Krasnodar and the Krasnodar Territory]. Izvestiya vysshikh uchebnykh zavedeniy. Povolzhskiy region. Meditsinskie nauki – Proceedings of the higher educational institutions. Volga region. Medical sciences, 1, 3-11 [in Russian].

2. Galkina, T.N., & Kalmin, O.V. (2015). Antropometricheskie harakteristiki devushek-studentok medicinskogo instituta Penzenskogo gosudarstvennogo universiteta [Anthropometric characteristics of the female students of medical institute, Penza State University]. Izvestija VUZov. Povolzhskiy region. Medicinskie nauki - Proceedings of the universities. Volga region. Medical sciences, 1 (33), 121-125 [in Russian].

3. Globa, A.P., Kostrykin, V. Ya (2015). Pedagogicheskie aspekty optimizatsiy uchebnogo processa po fizicheskoy kulture studentov s ogranichennymi vozmozhnostyami zdorovya [Pedagogical aspects of optimization of educational process on physical training of students with disabilities]. Zhurnal nauchnyh publikatsiy aspirantov i doktorantov - Journal of scientific publications of post-graduate and doctoral students. Kursk. № 4 (24), 21-23 [in Russian].
4. Gorodkova, E.V. & Litvinova, T.A. (2009). Osobennosti fizicheskogo razvitiya zhenshhin-studentok v vozrastnom aspekte [Features of physical development of female students in the age aspect]. Vestnik novyh medicinskih tehnologiy – Bulletin of new medical technologies, 4. Vol. 16. 64–66 [in Russian].

5. Demarchuk, E.L. (2004). Anatomoantropologicheskie osobennosti organizma i razmery taza zhenshhin na yunosheskom etape ontogeneza [Anatomical and anthropological features of the body and women's pelvic dimensions on youthful stage of ontogenesis]. Extended abstract of candidate’s thesis. Novosibirsk: Novosib. gos. med. Akad. [in Russian].
6. Kovtyuk, N.І. (2004). Dynamika formuvannja rozmiriv taza u divchat shkilnoho viku Chernivetskoi oblasti [Dynamics of forming the size of school-age girls’ pelvis in the Chernivtsi region]. Klіnіchna anatomіya she promptly hіrurgіya, 3, 48-49 [in Ukrainian].
7. Lopatina, L.A., & Serezhenko, N.P., Anohina, Zh.A. (2013). Antropometricheskaya harakteristika devushek po klassifikatsii Dzh. Tannera [Anthropometric characteristics of girls according to the classification of J. Tanner]. Fundamentalnye issledovaniya – Fundamental researches, 12-3, 504–508 [in Russian].

8. Lumpova, O.M., & Kolokoltsev, M.M., Lebedinsky, V. Yu (2011). Antropometricheskaya i indeksnaya otsenki pokazateley fizicheskogo razvitiya devushek yunosheskogo vozrasta Pribaikaliya [Anthropometric assessment and index of physical development of young girls of Pribaikalye]. Sibirskiy meditsinskiy zhurnal (g. Irkutsk) – Siberian medical journal (Irkutsk),5. Vol. 104, 98-101 [in Russian].
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